Anyone out there worried about reviews?
Here's Byron's take on them.
(It just occurs to me that I hate that expression "take on such and such").
OK. Here's Byron's OPINION/THOUGHTS/WHATEVER. On them. Or of them. I'm not quite sure. Reviews, anyway.
As expressed in a letter he wrote to Shelley in 1821, following the death of Keats (I'm nothing if not hip 'n' happening). I gather that Shelley must have informed him of the death, and that it had been perhaps hastened or even caused by distress about bad reviews. Keats died of consumption, and I suppose state of mind could certainly have affected his physical resilience, as of course it can with any illness.
Bear in mind that Byron himself had recently described Keats' poems as a kind of "mental masturbation" and a "Bedlam vision brought on by too much raw pork and opium". (see my post from a day or two back). Personally, I might take that as a compliment. But I'm not Keats, am I? He was aiming for the sublime.
And it occurs to me - how much raw pork is "too much", exactly? And why would you eat it, in any quantity? I've eaten underdone chops before, and felt a bit 'dicky' after, but it was entirely accidental and I wouldn't say they were 'raw', quite. More on that later.
To continue.
Byron writes to Shelley, "I am very sorry to hear what you say of Keats - is it actually true? I did not think criticism had been so killing....I read the review of Endymion in The Quarterly. It was severe, - but surely not so severe as many reviews in that and other journals upon others.
I recollect the effect on me of the Edinburgh on my first poem; it was rage, and resistance, and redress - but not despondency nor despair. I grant that these are not amiable feelings; but in this world of bustle and broil, and especially in the career of writing, a man should calculate upon his powers of resistance before he goes into the arena.
"Expect not life from pain nor danger free,
Nor deem the doom of man reversed for thee."
Hmm... he's got a point - but he's being more than a tad harsh, I'd say. One of the critics had described Endymion as a work of imperturbable, drivelling idiocy. Someone else who sounded like a towering snob had advised the non-Eton/Harrow educated Keats to abandon poetry and go back to his work as an apothecary.
All very well for his Lordship, swimming up and down the Grand Canal with his menagerie and his club foot and all.
So if anyone derides my - or your - work, do remember that they were wrong about Keats.
