I tend to go through obsessive phases with writers and at the moment it's Coleridge.
I'm not new to Coleridge. I went through a Romantic Poet phase about twenty years ago, and read everything I could lay my hands on by Byron, Shelley, Keats, Coleridge, Wordsworth and outriders such as Charles Lamb and Leigh Hunt. It all felt very fresh and real, and easy to relate to. Sometimes linear time doesn't seem to matter at all.
At university I studied Mary Wollstonecraft. It was an extremely interesting time for women, but they were limited by their biology in a way that men obviously weren't. Crude methods of contraception at best. Dropping like flies due to ghastly puerperal complications. Wollstonecraft died soon after giving birth to her daughter, also called Mary, who of course grew up to write Frankenstein and have, I would say, a pretty grim time as Shelley's wife. Who knows what she might have achieved had she lived? She'd already visited Paris during the revolution, and written several books.
Frost at Midnight appeals to me especially, because I love the imagery of ice and frost and also because Coleridge set it at the fireside in his "cottage", which sounds not dissimilar to my own pretty draughty ramshackle and tiny mid-19thC. home.
Here is a link to Coleridge's cottage.
I really like my copy of Coleridge's poems. It's very small, circa 1900, published by Harrap, with a lovely illustration from The Rime of the Ancient Mariner. You can stick it in your pocket quite easily. I bought it in a second hand bookshop years ago for three pounds. Where have all the second hand bookshops gone? Ruined by Ebay, that's where. It's not the same, shopping for old books online - you have to hold a book in your hands and SMELL IT to know if you want it or not.